Tag Archives: art therapy

Yvonne Mabs Francis

I found the following essay and artworks through the Open University site, the original article can be found here. Please do go to the original article as it is extremely interesting and also deals with Yvonne’s artwork in a more in-depth way as Yvonne has written about each painting and what they represent. The reason I haven’t put those explanations on here is so that you do the good thing and jump onto their website to view it. You can also find a lot of other wonderfully informative stuff from The Open Learn Team by visiting this page here. You won’t be disappointed!

“My name is Yvonne Mabs Francis. I’m an artist by training. I went to the Slade in the Sixties and I’ve been lucky enough to have been able to paint for the last thirty years more or less full time. In the summer of 1969 my father died and I immediately felt ill. The first thing was sleeplessness, and this went on for a period of about three weeks, and I had obsessive thoughts that later became delusional, the delusional of the painting Liar I experienced at this time. I thought that these thoughts had made my brain protrude like horns from the top of my head. I would ask people whether they were there and I didn’t believe them, I would look in the mirror and I still didn’t believe them. I would even put my hands above my head and I still was convinced I had horns on my head.

Liar by Yvonne Mabs Francis

Within about another two weeks I’d submitted myself to the Warneford Mental Hospital, Oxford. On entering it I was asked whether or not I was likely to commit suicide. I wasn’t likely to commit suicide, I’d felt quite a successful person, I felt there was everything to live for, I was simply terrified by the fact of what I’d gone through and having brains outside your head is, you must admit, pretty terrifying. I knew I was suffering something mentally so I’d gone there thinking that they would talk me through it, but none of them ever tried it at all. And I’m pretty certain that it would have worked because I remember at one stage a sister saying to me that the pieces that were sort of jangling about in my head, they would go away and in time I would feel better. And I remember just for a short moment lifting up my head and all these pieces that were in my head went to the back of my head and I felt defiant and I felt less afraid.


Breakdown by Yvonne Mabs Francis

This just happened for a moment so I really felt totally convinced that if the doctors talked you through it, in the same way they may talk to you today about having a heart attack or any other physical illness, this would have relieved me to some extent. I appreciated it was something I had to live through but it would have helped. Mental illness is like a wall. You are behind your wall, you’re fairly logical behind your wall actually, and what you say isn’t always very easy for other people to understand, your language is, in other words, slightly disjointed or confused.


The Madness of Medication by Yvonne Mabs Francis

After four weeks when I was hospitalised I went up into a locked ward for more severe cases. They tried deep sleep treatment which really didn’t work because obviously you are partly conscious, and it made it even worse because the power of your body ceased with the medication that they’d given you so you couldn’t in any way sort of express your distress. What did help me, however, although I do feel at that time I was just beginning to turn the corner, was electric shock treatment. The Warneford, for all my criticism, were actually very good at electric shock treatment. Don’t ever be taken in by One Flew Over the Cuckoo’s Nest, it really is wrong. And they did it in such a way that you hardly knew what was happening and you felt an awful lot better afterwards. It may only be temporary but you just hold onto the better times. After about three to four weeks of this treatment I managed to be well enough to leave hospital and I’m afraid I never returned there, I never returned to my outpatients appointments because I’d simply been too horrified. In fact I’ve never walked up the driveway in all the years since then.


The Bodily Time Machine by Yvonne Mabs Francis

I painted these series of pictures at least 35 years after my experience. I did it because they would make good images but I did it also – but this was secondary – I wanted to lay to rest this silence that I felt I had over this, and these issues that I had over my treatment up there at Warneford, and to try to put over exactly what mental health delusions are. Many people talk about them, they analyse them, they work out that it’s this and that but nobody actually says exactly what it is that they’re suffering. And this is what I was very, very keen to do because I felt that that would help people, that that would have helped me when I was suffering if somebody had done this to me, and I’d hoped it would help people in the future. And in fact one comment in a book when I showed them at a gallery was that they’d had a father suffering mental health problems and they’d never up until that point realised what they were suffering. So in that way it was done to not only help people that were suffering but to help people around them to see exactly what they may be suffering.


Stages of Hospitalisation by Yvonne Mabs Francis

A lot of people have asked me whether these paintings were a cathartic experience for me. Well they were not, they were done in a really cold calculating way. I was out on a mission for mental health and I was out to produce good images, and it didn’t affect me in the slightest looking back and thinking about these experiences. My paintings do have great meaning for me in my life. I don’t think I’d want to be without working. I have, as I said, I do suffer depression, not to an unmanageable extent but it does certainly help my depression, and it also gives my life great meaning. This is the problem, you know, with sort of a lack of religion is finding meaning, and for me my meaning is my work and that is a huge sort of coping mechanism.”


Third Month by Yvonne Mabs Francis


The Electric Bed by Yvonne Mabs Francis


Double Deaths by Yvonne Mabs Francis

[All Images copyright: Yvonne Mabs Francis]

Emergence Arts & Social Network Event 30th March – Tate Modern

Hi Everyone, details of the next Emergence Arts & Social Network event below…

“I’m delighted to let you know the details of our next Arts and Social Network event on the 30th March at the Tate Modern.

The event will consist of one of Liz Ellis’s interactive and highly enjoyable Art into Life tours. This time the theme will be ‘Art and Power’ and we will tour the States of Flux exhibition with the aim of looking at different media including Jenny Holzer’s text work with flashing LED lights (there will be an alternative if anyone has a problem with these lights).

For further information go to http://www.tate.org.uk/servlet/CollectionDisplays?showid=1333 or http://www.tate.org.uk/modern/eventseducation/community/pdf/art_into_life_leaflet.pdf

Date: Friday 30th March 2012
Place: Tate Modern, Bankside, London SE1 9TG
Time: The tour will start at 6.30pm after which we will go for coffee as usual.

Further information about the Arts and Social Network is appended below this message. Please contact us by email or telephone 020 8233 2854/5 to either let us know you would like to attend or if you have any queries. Hope to see you on the 30th.

All best wishes

Arts & Social Network Team
emergence

admin@emergenceplus.org.uk

http://www.emergenceplus.org.uk

Office number: 0208 233 2854/5
Head Office Address
London House, 271-273 King Street
Hammersmith, London W6 9LZ”

Illustration Workshop, 13th April

Illustration Workshop Poster

I’m doing an illustration workshop on April 13th for the inpatients at Highgate Mental Health Centre in London. The participants will be taking part in drawing a cartoon strip about a day – any day, past, present or future – in their life and how the day is relevant to their feelings. They will also have the chance to use many different materials and mediums to work on their pieces.

The workshop is invite only for the inpatients, however if you know someone who is attending the centre please let them know about the workshop. Please note the day of the workshop is actually the 13th April and not 6th as advertised on the poster.

Beast by DeLune

Okay, so here is the first piece of writing we have ever published on the site.  We recently received this work, ‘Beast’, from DeLune who describes herself as “an NHS service nutter who writes”.

I would love to receive a submission for an illustration to go along with this piece of writing. If you are reading and want to give it a go, please, please do!

DeLune has more writing at her website Hotel Muse. Go and check it out, there are some really powerful pieces, like this one.

Beast.

Here it comes, like a ghost train shrieking on the same silver tracks.

Here it comes, a furious risen corpse; all clawed pale hands and wailing screams.

Here it comes, moon-chewing crypt dweller; hunger-carved into bones and sinew.

The Beast is here. I feel it itch between my bones, I feel it spark like pagan fires, I watch it paint my loved one’s face with fear.

It eats my sleep, it jerks my limbs. I convulse, mouth taut in a silent shout that would shatter the window if given voice.

I crouch, spin, twitch, cower, shake and shiver. I gaze unseeing, I hold my voice in. I must be reminded if I am to eat.

I am busy, can’t you see? Chasing stars – faster and faster, I will open my beast’s mouth and suck them all down.

I say:

‘I’m terribly sorry I’m sure that your conversation is endlessly fascinating but werewolves are breeding beneath my skin and I have to go.”

I burn. I burn. Vampire in sunlight, demon in exorcism, witch in Inquisition pyre, I burn. Something swarms my mind like bees; I call it Starvation. I call it Thirst.

Spinning in circles, arms flung out, round and round until my feet drill down to the cool, the calm, the silence; a long way under the skin.

A wounding imp, it threatens to take everything unless I guess it’s name. But I am clever;

I am forged from faerie stories and night wanderings

– shame and grief and demolishing rage, that’s what this little girl is made of –

And I guess it’s name, I call it madness, and my magic sword,

My wood-cutter’s axe,

Is shaped like a pill.

Happy New Year!


HAPPY NEW YEAR!
—————————————————————————————————
Hello Folks – Happy New Year to you all.

Just a quick update to say I am back in the office and Mental Spaghetti is once again a-go-go.

Have some exciting news in the pipeline but it must remain top secret for now. There will also be some workshops coming up, so stay tuned to our little hope on the net for news on that.

Until then, look out for some writing on the site – it’s the first time I will have included prose and poetry. It’s great stuff so I’m very proud and flattered to be able to show it to you all (nope, it’s not by me!).

Bye!

Portugal Prints Art Exhibition

Portugal Prints (Westminster Mind), an innovative mental health project based in Central London, are having an exhibition from 7th-9th December.

The opening night of the exhibition is this Thursday 1st December where you will have the chance to meet the artists, view their open studio and card making demonstrations. If you are free between 2-5pm then I recommend you get on down there as it will be aces. I won’t be able to get along until later but that’s okay as there’s also an evening private view from 5-8pm, so there’s really no excuse to miss out!

Check out the flyer below and I hope to see you there.

http://www.portugalprints.org.uk/

Edward.

“Hello. My name is Edward and I hate myself. Don’t worry, it’s nothing you’ve said or done. I always have done. I always will. I am a hateful person. The fact that other people don’t seem to hate me just makes me hate myself more. Self-loathing is my most loyal lifetime companion.

Sometimes it’s a good thing. Keeps you on the straight and narrow. Makes you respectful and mindful of other people’s feelings. Sometimes it’s the grit in the oyster that makes a pearl. Sometimes it makes me funny, because there’s only so much hatred of yourself you can contain before you have to start radiating it outwards. The other option is that you just let it destroy you. I’m not about to do that. I hate myself too much to let myself off lightly.

I have suffered with depression pretty much my entire adult life, and been treated and medicated for it for much of that time. The current drug that I am on, Sertraline, is very good in many ways. It tackles the anxiety which made me completely unable to function in any way. It’s made me more friendly and open as a result. In short, it’s given me all the tools I need to go the final few yards.

The final few yards are always the hardest, though. My cancerous self-loathing is so malign and insistent that it chewed CBT up and spat it out. It’s not something which wants to be reasoned with by my conscious self.

A lot of people have noted how cutesy, happy and child-friendly my art is. This surprises many people who know me who maybe expect a screaming black hole of darkness. All I can say is, that’s just the way it emerges. Pretty much all of it comes from my subconscious and based on what LOOKS RIGHT to me. I’m not a talented enough artist to make anything do my specific bidding, so it is what it is. I think if you look at a lot of my work again though, and just scratch the surface just right, you can see glimpses of the horrors.

I don’t want to come across like Brian Topp from Spaced, painting fear, terror and loathing. But I know that it must be in there. My art offers me hope too, though, because there’s also much in the way of happiness, positivity and humanity on display as well and that means that that must be in there too.

At the moment, though, I still hate myself. And, for the record, I hate this picture. How do you do?”

If you would like to see more of Edward’s work, please click here.

Chato B. Stewart

“Chato Stewart is a husband, father and mental health advocate. He is an artist and the cartoonist behind the Mental Health Humor cartoons. He creates positive, provoking, and sometimes even funny cartoons! The cartoons are drawn from his personal experience of living with Bipolar Disorder. Mr. Chato Stewart strongly believes that there is power behind humor. His motto is humor gives help, hope and healing. His goal and mission is to tap into humor and use it as a positive tool to cope with the serious and debilitating effects of mental illness.

Chato started blogging in 2008 as part of his Mental Health Humor Project. His cartoons have been used by many in the mental health community. Currently he is blogging on Psych Central Network and BP Hope Magazine offerering his Words of The Wisdomless.

Chato B. Stewart is a Florida board Certified Recovery Peer Specialist – A (CRPS-A) and NAMI member. Chato is also the 1st place winner of the DBSA 2009 Facing Us Video Contest. In his powerful public service announcement, he tells his personal story of living with a mental illness through a montage of his cartoons. Adding to his little list of accomplishments is being part of the 2010 DBSA Stand-Up for Mental Health comedy night and being invited back for the 2011 Conference to be a Stand-Up comic in the show.”
-text taken from www.chatobstewart.com.

Kim Noble

You’re likely to have heard of Kim Noble before due to some good press coverage of her amazing work. I will leave the bio up to the good people from her website, please read it below. I have lifted all of the images and text from www.kimnoble.com so all credit must go to them.

Kim’s next Exhibition: “One of Many”, 9th November – 2nd December 2011, Bethlem Gallery, Beckenham, Kent

Painting by Bonny

“Kim Noble is a woman who, from the age of 14 years, spent 20 years in and out of hospital until she made contact with Dr Valerie Sinason and Dr Rob Hale at the Tavistock and Portman Clinics. In 1995 she began therapy and was diagnosed with Dissociative Identity Disorder (originally named multiple personality disorder).

Painting by Bonny

D.I.D is a creative way to cope with unbearable pain. The main personality splits into several parts with dissociative or amnesic barriers between them. It used to be a controversial disorder but Kim has had extensive tests over 2 years by leading psychology professor at UCL, John Morton, who has established there is no memory between the personalities and that she has the misfortune of representing the British gold standard over genuine dissociation.

Kim has 20 main personalities, many fragments and 14 of the main personalities are artists. Having no formal art training, 14 of the main alters became interested in painting in 2004 after spending a short time with an art therapist. These 14 artists each have their own distinctive style, colours and themes, ranging from solitary deserts, sea scenes and abstracts to collages and paintings with traumatic content. Many alters are unaware that they share a body with other artists.

Painting by Ria Pratt

What is remarkable to all is both the quality of their work and the speed of their progress. Within five years of starting to paint they have already had seventeen successful solo exhibitions and participated in an equal number of group exhibitions. Kim was also the first Artist in Residence at Springfield University Hospital in Tooting, South West London.

Kim now has a 14 year old daughter and is a vivacious woman with a wonderful sense of humour and great courage and commitment.”

Painting by ‘Others’

Martin Ramirez.

“Martín Ramírez (1895–1963) created nearly 300 drawings of remarkable visual clarity and expressive power within the confines of DeWitt State Hospital in northern California, where he resided the last 15 years of his life. Ramírez has been codified primarily as a “schizophrenic artist”; this project goes beyond the boundaries of Ramirez’s diagnosis of mental illness and considers the artistic quality and merit of his artwork. In this way, Ramirez’s works are understood—and appreciated—for the complex, multilayered drawings that they are. “Martin Ramirez,” the first major retrospective of the self-taught master in more than 20 years, features approximately 97 works on paper and is accompanied by a full-color catalog.”
-Brooke Davis Anderson, curator of the 2007 exhibition ‘Martin Ramirez’ at the American Folk Art Museum

For more information on the exhibition and Ramirez’s work please visit the American Folk Art Museum.