All words and images, ©Susan Mary Gratwick.
I first saw William Blake’s painting, The Spiritual Form of Nelson Guiding the Leviathon, way back in 2007, on a visit to a workshop in the Tate Britain. The image would not leave me. I saw the writhing bodies squirming in and out of the labyrinthine form of the Leviathon, the sea monster, the nearly naked form of Horatio Nelson standing on the back of a crouching black man. And I thought of all the suffering of these different peoples all around this planet of ours, in order to create wealth. Even the Tate itself, purveyor of art to the masses, would have not existed but for slavery, based in and on the sale of sugar, again based in and on the Slave Trade.
For every action, there is an equal and opposite reaction.