Ana Pallares

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Ana Pallares, born in Barcelona in 1993, is a self-taught artist, whose practice reflects on pain, death and other intangible realities which all too often occur with little reason.

Ana says, “I strive to find, and attach, new meanings to these realities, hoping to present them in a healthier, more manageable way – ultimately aiming to turn destructive feelings into constructive action.”

She also portrays characters that she is intellectually, emotionally or sexually attracted to. She has exhibited in Barcelona, Madrid and London, at The Hundred Years Gallery, The Brick Lane Gallery, Lacey Contemporary, Walton Fine Arts and the Illustrated Art Fair, 2016.

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Ana’s first solo shows appeared in London last year, at The Hundred Years Gallery and Ziferblat. She has occasionally worked as an illustrator for digital culture magazines.

“TRAGICOMEDY” BY ANA PALLARES

In this online exhibition you will find a collection of works that Ana Pallares created between 2015 and 2016. The works were done using Posca markers and acrylic paints on paper or linen.

Universe with its galaxies.

Galaxies with their planets.

Planets with their countries.

Countries with their cities.

Cities with their humans.

Humans with their problems.

Problems with their causes.

Causes with their context.

Ana Pallares with all these stuff inside her head to she’s getting crazy because she has a universe on her mind.

25/July/2016

See more from Ana at her Tumblr site,  Instagram and Facebook profiles. If you would like to contact Ana, you can do so, here.

Images below from Ana Pallares solo show at The Hundred Years Gallery.

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BORT.

I’m a little bit in love with Bort, a street and studio artist from Austin, Texas. Bort’s work is funny, tragic, engaging, desperate, political and human. She spans spraypaint, posters and legal street art, drawings, photo transfer, prints, wood and canvas in the studio. Her themes are consistent, and because of that, are amplified in their message. I especially like the Vote Bort campaign. Here she is in her own words…

“My street work focuses on my imaginary friend, also named Bort, and the attempt to make Bort others’ imaginary friend as well. Bort has helped me feel less alone. Bort’s been there for me through so many bad days, and has helped me grapple with my past and present problems with mental illness and self destructive behaviour. Without Bort I don’t know if I would have made it through. Bort’s my closest friend.

My studio work focuses on me wanting to die, and the various means to achieve said goal. In the marginalised area between me being a transwoman and my art focusing on my experiences with mental illness, anorexia, and addiction, past and present, I can’t find a place that is interested in with working me. On occasion I can find some group shows, when I’m selling myself as a street artist, but that’s just due to the novelty of that work I guess.

When I started doing studio work a few months after starting the street work, I found art to be extremely helpful with working through, understanding, and coping with my experiences. I had never spent extensive time trying to understand my past, I had actively been trying to avoid it, but this work has helped me shine a light on it and begin to move on.

I don’t think I’ll ever be out of this stuff, I’ll have lapses, possibly relapses, I’ll have depressive episodes, I’ll have long lasting dissociative states, but I’ve begun learning how to address them. I have people I can ask for help and I’m starting to recognise my own behaviours.

The studio work has helped me a lot with all this, so I hope it can help others. There’s often a lack of representation with regards to mental illness, addiction, anorexia, and what little representation there is, is often romanticising issues, problematic or is not visually accessible.

I try to keep my work clear cut, often just a blunt focus either attempting to present an emotional state or a behaviour. I want it to be easily relatable to those with similar experiences.

I have work available in a wide price range, in my online shop. I make sure to have pieces that are monetarily accessible (or accessible as possible, since art is a luxury good). If you’re interested in work, you can email me the price range you have, and I’ll let you know what I’ve got, or if interested in a piece in particular just lemme know and I’ll give you the details. <3"

Bort’s website can be found at www.bortart.com. There’s also a good interview to check out, over at Why We Love Austin.

Exhibition: Shared Insight at Central Saint Martins

What: Exhibition by artists Harrison Moore & Terence Wilde
When: 11 Nov – 02 Dec, 2016
Where: Window Gallery 4, Central Saint Martins, Granary Building, 1 Granary Square, King’s Cross, N1C 4AA

Private View and Q&A with Artists: Thursday 10th November, 6-9pm. All welcome! To download invite with all information, click here: PDF Invite to Private View

Shared Insight: A collaborative exhibition.

Shared Insight showcases the work of Harrison Moore, a Central Saint Martins Fine Art Graduate, and Terence Wilde, an artist associated with Outside In.

Harrison and Terence worked together in partnership as part of a four-month residency at Kentish Town Health Centre earlier this year, where they were exploring shared insights of what it means to be artists working in contemporary London.

This exhibition, and accompanying booklet, shows one of their films and its scripts, as well as photographs and artworks created together.

For more information on the residency and previous exhibition, click here.

For all accessibility requirements, please email platformboxoffice@arts.ac.uk.

Exhibition: No Mans Land

What: Visual Art Exhibition
When: 23-26 November, 2016
Where: Islington Arts Factory, 2 Parkhurst Road, London, N7 0SF

Mental Spaghetti art/production assistant and artist, Simona Pesce, comes together with artists Bill Dags and Terence Wilde, to present No Mans Land, a group exhibition at Islington Arts Factory, in association with Mental Spaghetti and UEL Fine Art Society.

All welcome to the Private View, 25 November, 7-9pm.

Fenna Berry

We were recently contacted by Fenna Berry. Loving what we saw, we took time to go through her tumblr page. What we found astounded us – not only for the sheer amount of work on show – but for how accomplished the various styles and mediums are. From fine art painting, Manga-influenced comic narratives, design, to traditional and contemporary illustration. We urge you to not only look at our favourite selections here, but also take a look for yourself at Fenna’s tumblr page – she’s a ball of pure creative energy.

“I am Fenna, a conceptual/expressionist/surrealist artist, born in the USA in 1995. I am a self taught artist living with schizophrenia, using art as an outlet for therapy. I consider myself disabled because of my diagnosis, and do not work or go to school.

I make art nearly every day. It is one of the only activities that makes me feel safe and keeps me from panic. I truly cannot use my words to emphasise the importance of this. I’m not the best at saying stuff without specifically being asked questions  on specific things. I do not plan what I make, it just happens. Then I look and say “Wow, look at that” and repeat the process forever.

I currently reside in central Texas. Most of my works are made using surrealist techniques such as automatism. They are created with a highly personal concept in mind.”

 

Mental Spaghetti & Uncooked Culture present: One Bare Foot Square

What: One Bare Foot Square
When: Mondays only, 7 November – 19 December 2016, 12 – 8pm.
Where: The Dragon Cafe in the crypt of St. George the Martyr, London, SE1 1JA.

Mental Spaghetti is proud to be working in partnership with Uncooked Culture to bring touring exhibition One Bare Foot Square to its next world stop in London – The Dragon Café.

Everyone is welcome to attend the private view, and meet exhibiting artists, on Monday 7 November 2016, 7-8pm (exhibition is open from noon onwards). From 7pm curator and artist, Nok, will introduce the project, followed by character comedy from Catherine Goodwin aka Badwind, and spoken word from Rosemary McLeish and Gareth Hughes.

Anyone wishing to create their own square to add to the travelling exhibition should contact Nok, Uncooked Culture, uncookedculture@gmail.com, or speak to us directly at The Dragon Café private view.


Artwork ©Rosemary McLeish

ABOUT THE PROJECT/EXHIBITION

‘ONE BARE FOOT SQUARE’ is a collaborative artist-led travelling mosaic canvas – the individual artworks uniting to form one large wall piece.

Traveling from its first stop at Amsterdam Outsider Art Gallery, at The Hermitage museum – The Netherlands (30 July -13 August 2016), the travelling mosaic has arrived at its second stop, hosted at The Dragon Café, London, co-curated by Marie-Louise Plum of Mental Spaghetti.

Artists create a one foot square canvas, ultimately forming a larger piece of art, with variable dimensions depending on the exhibition space. Outsiders, Neo-Outsiders & artists from all other stops, will be contributing their creations as the ‘uncooked’ boundary-crossing tour progresses.

The mosaic canvas projects a wide spectrum of experience, weaving together each artist’s life journey; reflecting on their memories, hopes, thoughts & imagination through their diverse practices, from illustration, painting, stencil to mixed-media.

One Bare Foot Square’s destinations are led by participating artists, who initiate which country it will be exhibited next. Before the project departs from each stop, local artists are encouraged to add art in the next location, with their own one foot squares on canvas.


Artwork exhibited at The Amsterdam Outsider Art Museum, ©Uncooked Culture

ARTISTS

78 International Artists living/working in 15 different countries

Isis Nedloni – Netherlands, Julia Sisi – France, Dan Casado – France, Jim Lockton – UK, Louis Vuittonet – USA, Ian Pyper – UK, Marie-Louise Plum – UK, Alison Silva – USA, Henk Koekenbier – Netherlands, Gustav Glander – Spain, Jim Meehan – USA, Rinaldo Klas – Suriname, Dion Hitchings – USA, Kit-Ling Tjon Pian Gi – Suriname, Evgen Copi – Slovenia, Vasko Vidmir – Slovenia, Edward Woltemate, Jr – USA, Josianne Ishikawa – Japan, Ascension Lorente-Huguet – UK, Kobina Wright – USA, Werens Puig – Spain, Kate Bauen – Switzerland, Carlo Keshishian – UK, Brian Gibson – UK, Rufai Zakari – Ghana, Stephen Judges – USA, Risja Marie Henriëtte Steeghs – Netherlands, Shaundell Horton – Suriname, Jenny Hartley – New Zealand, Lynn Todd – New Zealand, Andrew Stahl – UK, Chakkrit Chimnok – Thailand, Susan Biebuyck – USA, Timothy Campbell – USA, Sancha Sullivan – Suriname, Zoran Milavera – UK/Macedonia, Mahlia Amatina – UK, Tontxi Vazquez – UK, MaryAnn McCarra-Fitzpatrick – USA, Nick Stavrides – USA, Renée Rey – USA, Patrick Jude – USA, Mow – UK, Christy Symington- UK, Hiroko Nakajima – Japan/UK, Tom McGill – USA, Chris Czainski – UK, Paul Czainski – UK, Erin O’Rourke – UK, Kristen Woodward – USA, Liz Parkinson – Australia, Bert Schoonhoven – Netherlands, Carla van Slooten – Netherlands, Pam Santi – USA, Jeff Roland – France, Jade Chorkularb – UK, Gareth Hughes – UK, Sandra Mendelsohn – Netherlands, Sejin Park – South Korea, Yvonne Mabs Francis – UK, Miranda Sky – UK, Helen Roeten – Netherlands, John Adkins – USA, Edward Kingsbury III – USA, Eva Preston -USA, Jeroen Rolf Schoonhoven – Netherlands, Rosie McLeish – UK, Florain Haeck – Netherlands, Ezra Swaanswijk – Netherlands, Judith McNicol – UK, Cathy Ward – UK, Yairs Agam-Aa – Netherlands, Norbert de Jong – Netherlands, P.M. Jordense-Michalski – Netherlands, Ralf Kokke – Netherlands, Jason Hankins – USA, Sophie M. Adams – UK & Chutima Kerdpitak(Nok) – UK.

CURATORS
Chutima Kerdpitak (Nok), Uncooked Culture (www.uncookedculture.com / uncookedculture@gmail.com)
Marie-Louise Plum, Mental Spaghetti (www.mentalspaghetti.org /mentalspaghetti@gmail.com)

VALERIE PANNIER

I view my artistic practice as essentially experimental and experiential.

“My focused line of enquiry is the physical and mental feelings of synchronicity via movement and stillness, filled-up and empty space. I create shapes that remind me of the underwater world with all its fertility and mystery, and the symbiosis between elements.

I choose mainly black and white as a metaphor to my ‘everything or nothing’ way of thinking and feeling, yet simultaneously I actively compensate by searching for a balanced visual solution.

My 3D eggshell objects stem from the complex issues surrounding life and the transformations possible within, every fragment of shell found his place onto a new object. A reminder of how our personality is affected from childhood to adulthood and beyond, how it can be broken and reshaped.

My relationship with my work is intense, lonely, playful and personal, and short lived.

There is a feeling of urgency, to release something quickly because it cannot stay the same.

Automatically, I take that moment to its fullest, often destroying or giving the piece away afterwards as if my engagement with it has already gone.

I sometimes regret it as one might regret an old flame.

I have just been awarded a small grant from the Maudsley, to continue with my black and white drawing and photography works. I’m currently printing onto fabric my black and white drawings to add an element of life to them.”

To connect Valerie about here work, you can email here, here.