What: One Bare Foot Square
When: Mondays only, 7 November – 19 December 2016, 12 – 8pm.
Where: The Dragon Cafe in the crypt of St. George the Martyr, London, SE1 1JA.
Mental Spaghetti is proud to be working in partnership with Uncooked Culture to bring touring exhibition One Bare Foot Square to its next world stop in London – The Dragon Café.
Everyone is welcome to attend the private view, and meet exhibiting artists, on Monday 7 November 2016, 7-8pm (exhibition is open from noon onwards). From 7pm curator and artist, Nok, will introduce the project, followed by character comedy from Catherine Goodwin aka Badwind, and spoken word from Rosemary McLeish and Gareth Hughes.
Anyone wishing to create their own square to add to the travelling exhibition should contact Nok, Uncooked Culture, email@example.com, or speak to us directly at The Dragon Café private view.
Artwork ©Rosemary McLeish
ABOUT THE PROJECT/EXHIBITION
‘ONE BARE FOOT SQUARE’ is a collaborative artist-led travelling mosaic canvas – the individual artworks uniting to form one large wall piece.
Traveling from its first stop at Amsterdam Outsider Art Gallery, at The Hermitage museum – The Netherlands (30 July -13 August 2016), the travelling mosaic has arrived at its second stop, hosted at The Dragon Café, London, co-curated by Marie-Louise Plum of Mental Spaghetti.
Artists create a one foot square canvas, ultimately forming a larger piece of art, with variable dimensions depending on the exhibition space. Outsiders, Neo-Outsiders & artists from all other stops, will be contributing their creations as the ‘uncooked’ boundary-crossing tour progresses.
The mosaic canvas projects a wide spectrum of experience, weaving together each artist’s life journey; reflecting on their memories, hopes, thoughts & imagination through their diverse practices, from illustration, painting, stencil to mixed-media.
One Bare Foot Square’s destinations are led by participating artists, who initiate which country it will be exhibited next. Before the project departs from each stop, local artists are encouraged to add art in the next location, with their own one foot squares on canvas.
Artwork exhibited at The Amsterdam Outsider Art Museum, ©Uncooked Culture
78 International Artists living/working in 15 different countries
Isis Nedloni – Netherlands, Julia Sisi – France, Dan Casado – France, Jim Lockton – UK, Louis Vuittonet – USA, Ian Pyper – UK, Marie-Louise Plum – UK, Alison Silva – USA, Henk Koekenbier – Netherlands, Gustav Glander – Spain, Jim Meehan – USA, Rinaldo Klas – Suriname, Dion Hitchings – USA, Kit-Ling Tjon Pian Gi – Suriname, Evgen Copi – Slovenia, Vasko Vidmir – Slovenia, Edward Woltemate, Jr – USA, Josianne Ishikawa – Japan, Ascension Lorente-Huguet – UK, Kobina Wright – USA, Werens Puig – Spain, Kate Bauen – Switzerland, Carlo Keshishian – UK, Brian Gibson – UK, Rufai Zakari – Ghana, Stephen Judges – USA, Risja Marie Henriëtte Steeghs – Netherlands, Shaundell Horton – Suriname, Jenny Hartley – New Zealand, Lynn Todd – New Zealand, Andrew Stahl – UK, Chakkrit Chimnok – Thailand, Susan Biebuyck – USA, Timothy Campbell – USA, Sancha Sullivan – Suriname, Zoran Milavera – UK/Macedonia, Mahlia Amatina – UK, Tontxi Vazquez – UK, MaryAnn McCarra-Fitzpatrick – USA, Nick Stavrides – USA, Renée Rey – USA, Patrick Jude – USA, Mow – UK, Christy Symington- UK, Hiroko Nakajima – Japan/UK, Tom McGill – USA, Chris Czainski – UK, Paul Czainski – UK, Erin O’Rourke – UK, Kristen Woodward – USA, Liz Parkinson – Australia, Bert Schoonhoven – Netherlands, Carla van Slooten – Netherlands, Pam Santi – USA, Jeff Roland – France, Jade Chorkularb – UK, Gareth Hughes – UK, Sandra Mendelsohn – Netherlands, Sejin Park – South Korea, Yvonne Mabs Francis – UK, Miranda Sky – UK, Helen Roeten – Netherlands, John Adkins – USA, Edward Kingsbury III – USA, Eva Preston -USA, Jeroen Rolf Schoonhoven – Netherlands, Rosie McLeish – UK, Florain Haeck – Netherlands, Ezra Swaanswijk – Netherlands, Judith McNicol – UK, Cathy Ward – UK, Yairs Agam-Aa – Netherlands, Norbert de Jong – Netherlands, P.M. Jordense-Michalski – Netherlands, Ralf Kokke – Netherlands, Jason Hankins – USA, Sophie M. Adams – UK & Chutima Kerdpitak(Nok) – UK.
Chutima Kerdpitak (Nok), Uncooked Culture (www.uncookedculture.com / firstname.lastname@example.org)
Marie-Louise Plum, Mental Spaghetti (www.mentalspaghetti.org /email@example.com)
What: Visual art exhibition from artist Marius Els
When: 1-4pm, Monday October 10th, 2016
Where: Mind, Haringey, North London
Photographer and artist Marius Els is showing selected work from previous exhibition ‘Seasons of the Mind’, plus a new body of work, ‘A Life Time’, for one day only at Station House, Haringey, in support of Mind and World Mental Health Day.
Marius combines photography, collage and mixed media to create beautiful and magical works of art. Don’t miss it!
For more information about his work, including an in-depth description of ‘A Life Time’, please visit Marius Els online.
I view my artistic practice as essentially experimental and experiential.
“My focused line of enquiry is the physical and mental feelings of synchronicity via movement and stillness, filled-up and empty space. I create shapes that remind me of the underwater world with all its fertility and mystery, and the symbiosis between elements.
I choose mainly black and white as a metaphor to my ‘everything or nothing’ way of thinking and feeling, yet simultaneously I actively compensate by searching for a balanced visual solution.
My 3D eggshell objects stem from the complex issues surrounding life and the transformations possible within, every fragment of shell found his place onto a new object. A reminder of how our personality is affected from childhood to adulthood and beyond, how it can be broken and reshaped.
My relationship with my work is intense, lonely, playful and personal, and short lived.
There is a feeling of urgency, to release something quickly because it cannot stay the same.
Automatically, I take that moment to its fullest, often destroying or giving the piece away afterwards as if my engagement with it has already gone.
I sometimes regret it as one might regret an old flame.
I have just been awarded a small grant from the Maudsley, to continue with my black and white drawing and photography works. I’m currently printing onto fabric my black and white drawings to add an element of life to them.”
To connect Valerie about here work, you can email here, here.
What: Tight Modern 2016 exhibition
When: Deadline is 30th October 2016
Where: Touring Exhibition
“We are delighted to announce Tight Modern 2016 is open for submissions from marginalised & disabled artists.
Tight Modern is tight! Entries must be 13cmx18cm in portrait format, with a maximum depth of 2cm. You can submit original artworks, photography or computer generated images.
The competition is open until 30th October 2016.
Our brand new website is also being launched alongside the competition; for details about how to submit work, our numerous prizes, upcoming free workshops and more go to www.tightmodern.org.uk.
A pdf of the A4 poster for can be found here.
For information on how to submit to the Tight Modern, and details of our fantastic prizes and the accompanying free workshops, go to our brand new website: www.tightmodern.org.uk.”
Our guest artist this week is Myfanwy Dabner, from Ballarat, Australia. In this article, Myfanwy examines the ways in which she processes inspiration, the new directions and inspirations she is drawing on, as well as understanding the meaning of being a marginalised artist, and what connotations the term invokes.
“Over a month ago I was thinking about printmaking and mental illness, as a place to make art from, and to have a subject matter for Uni art school requirements.
As I do printmaking a lot and as I have mental illness permanently these were my easy and obvious choices; make prints about my mental illness.
Now after some investigation into Outsider Groups and their art forms I am looking at the art of children and the art of the mentally ill, whilst ditching a totally printmaking focus to allow art in more forms.
I go with the genres that catch me. I have gone to the art of my children, my brother and my own children’s art, my art made when ill, and just plain old improvisation and make do to make new works.
I will abstract, repeat, cute-i- fy, blacken, follow and break rules, stencil, and other endless ways to make art works. So far I have dabbled in jagged three-dimensional shapes with UV and fluorescent colours. Perhaps I will use invisible UV markers to write a hidden poem.
My work from 15 years ago was brightened with fluorescent pencils, and I have a returned desire to use them. I want to be informed from viewing the untrained, relaxed, strong, wild, gestural, naive marks of my children’s artworks. I need to loosen up.
The work I make is also influenced by mental availability, mindset, mood – the pain within, the love, the needing to form something. Generally speaking, high energy can cause some illness, it can’t always be maintained, eventually dropping into depression, getting a few weeks here and there for busy making.
In conclusion, my place to work from has not completely shifted from printmaking and mental illness but has grown to include the art of children, my children, as inspiration and that I may make art in a variety of forms.
I now also understand the term Outsider Art and the meaning of marginalisation. I am putting myself forward as acceptable with illness. Will I be only seen for my illness and thus marginalised? I don’t know yet. I do know though I am substantiating the art of the mentally ill by proposing it to my teachers as an acceptable area to draw from in art practice.
I am also putting forward the techniques of children’s art as acceptable techniques for making in art. Please enjoy the pictures, including monotypes, improvised work and art by my children.”
Visit the website site Narrator International to search and find some of Myfanwy’s short stories and poetry.
Follow the link to view ‘The Artist’ http://www.narratorinternational.com/dear-artist-myfanwy-dabner/
What: Call for artists, Liverpool DadaFest
When: Deadline to apply, 14 June 2016, 5pm. Performance Dates: Tue 9 – Sat 13 August 2016
Times: DIY Public Selfcare System is a 5-day process, comprised of: 2 consecutive days of group work, 1 day for rest/recovery or guided individual work, then 2 more consecutive days of group work. We are working to a model of 4hrs of ‘intensive’ work per day.
Where: The Bluecoat, Liverpool. This DIY is supported by DaDaFest.
Think we might be let off for posting this with only 48 hours (maybe less) to apply, following de-install of last exhibition, install of the new exhibition, and hectic private view – which we will be posting more about later. Phew. Anyway, quick, quick, apply for this…
DIY Public Selfcare System gathers together artists with lived experience of long term disabling conditions to explore acts of self care we have to perform in public, and consider repurposing these acts as performance.
As the government dismantles our public health and welfare systems, the future looks like “no money, no care”: it looks like chronic illness for all those not at the very top of the pile. To survive without access to public healthcare, everyone is going to have to learn to perform public acts of self care.
- We will gather as a community of artists who are experts at the durational performance of thriving in a world that is geared against our survival.
- We will share insight with one another drawn from our diverse creative approaches and experiences: on self care in general; on the poetics, politics and aesthetics of our actions; on how to take up space.
- We will engage in a playful process of repurposing and appropriating our necessary actions of self care as performance gestures; looking towards the creation of performance works for public spaces.
We welcome artists of all ages and at all stages: young artists just beginning to make work as well as older or more experienced artists; those who are perhaps experiencing disabling conditions for the first time; those with perspectives on how disabling conditions are affected by other intersections.
We welcome you to engage in a challenging, playful, collaborative and professional creative process convened by an artist who specialises in making intimate and interactive works with unfiltered audiences in mind.
The application requires answers to the following questions (as written or audio responses):
- Tell us a bit about yourself and your artistic practice. (max 300 words or 3 mins audio)
- Why do you want to be part of DIY Public Selfcare System this August? (max 300 words or 3 mins audio)
- What public act of self care might you be interested in exploring as creative stimulus and why? This doesn’t commit you to anything specific, but it helps us get to know you and the way you think. (max 300 words or 3 mins audio)
- Please provide web links to anything you think we should see (ideally these would include specific works of yours or projects you have been involved in, but it can also be the work of others, or things that you are thinking of as a result of contemplating this project). Please specify what it is and why you want to draw our attention to it. (max 5 links).
We welcome applications from those based beyond and within Liverpool: DadaFest will do their best to help find or organise accommodation if you need it.
All the information on this page is also available in an audio format, and audio applications are accepted too. Listen to audio information about this DIY here.
We are committed to doing what we can to ensure that no participant is stopped from attending, especially by the very lived experience that we seek to value. DadaFest are providing a small amount of cash and a larger amount of time to assist with the practicalities of accessing the workshop.
If you have any questions or worries about access (or anything else) that you would like to address before applying, do not hesitate to contact Cathy (firstname.lastname@example.org) or Rhiannon (email@example.com).
Please note that all applications must be done via the online form, rather than being emailed direct to DIY artists.
We need YOU to help us make this happen, and as well as that inevitable feel good feeling; you can select a lovely reward too!
Read on for more information on our project. There is a video at the end of the article.
The Horsfall… A new creative programme bringing together young people and the wider public with artists, mental health practitioners and heritage experts to improve mental wellbeing.
Who are we?
The Horsfall is a creative venue and programme by 42nd Street; an innovative and award winning mental health charity with an excellent 35 year track record. 42nd Street supports young people aged 11-25 years with their emotional well-being and mental health, promoting choice and creativity. We champion young person centred approaches that demonstrate local impact and have national significance.
What is The Horsfall?
The Horsfall is about beautiful art with a useful purpose. We believe that access to art and nature can radically change people’s lives. The venue and programme we have planned will enable us to work with more young people in new ways and to extend the impact of what we do to the wider public.
We’ve been inspired by the little known Ancoats Art Museum; a unique social and artistic experiment established at the end of the 19th Century by Victorian visionary Thomas Horsfall. The Ancoats Art Museum created opportunities for the most disenfranchised people of Manchester to experience beauty in their lives through visits to the gallery, attendance at concerts, classes in woodwork, music and dressmaking and countryside rambles.
We’ve taken his ideas and updated them for the 21st century. In our first year we will work with young people, professional artists, mental health professionals, makers and facilitators to create enthralling and powerful experiences for young people and audiences alike. We have plans for an immersive theatre installation with young carers, public art pieces, mindfulness and art sessions and even a project to invent a new flavour of ice cream.
We will lead the way local and nationally in how we work with young people to reinterpret stories from the past, their own stories and to imagine stories yet to come.
What you can do
Crowdfunding will give us that last piece of the jigsaw to make this amazing project a reality, but if we don’t hit our £15,000 target we get NOTHING… So, if you are yet to pledge we still need you!
Pledge what you can and choose one of our fantastic rewards. They give you a real flavour of what we are about and every penny will contribute to finishing the restoration of The Horsfall into a useful and beautiful space; a resource for young people and the communities around us.
Tell other people about our campaign through Twitter, Facebook and all those social media platforms.
Take inspiration from the words of Thomas Horsfall:
“Be aware of beauty and the wider world, it will give you the mental resources needed to find your way in life.”
No matter how much you can afford to pledge, we’ve got some great rewards for you. Of course, contributing to making The Horsfall a reality is a reward in itself, but we also want to say thank you, so we’ve used our creative skills to make you some beautiful things that money can’t buy anywhere else. We have had some great friends help us out too, so we have made sure to pay this forward and support our local businesses in the design and production of these rewards.”
If you’d like to pledge, visit The Horsfall pledge page. Seven days left!