Ana Pallares, born in Barcelona in 1993, is a self-taught artist, whose practice reflects on pain, death and other intangible realities which all too often occur with little reason.
Ana says, “I strive to find, and attach, new meanings to these realities, hoping to present them in a healthier, more manageable way – ultimately aiming to turn destructive feelings into constructive action.”
She also portrays characters that she is intellectually, emotionally or sexually attracted to. She has exhibited in Barcelona, Madrid and London, at The Hundred Years Gallery, The Brick Lane Gallery, Lacey Contemporary, Walton Fine Arts and the Illustrated Art Fair, 2016.
Ana’s first solo shows appeared in London last year, at The Hundred Years Gallery and Ziferblat. She has occasionally worked as an illustrator for digital culture magazines.
“TRAGICOMEDY” BY ANA PALLARES
In this online exhibition you will find a collection of works that Ana Pallares created between 2015 and 2016. The works were done using Posca markers and acrylic paints on paper or linen.
Universe with its galaxies.
Galaxies with their planets.
Planets with their countries.
Countries with their cities.
Cities with their humans.
Humans with their problems.
Problems with their causes.
Causes with their context.
Ana Pallares with all these stuff inside her head to she’s getting crazy because she has a universe on her mind.
See more from Ana at her Tumblr site, Instagram and Facebook profiles. If you would like to contact Ana, you can do so, here.
Images below from Ana Pallares solo show at The Hundred Years Gallery.
all words and artwork, ©Derek Collins. If you would like to get in touch with Derek, please email us.
I ain’t sure if this makes sense… but I reckon “sense” is a commodity I bartered long long many moons time ago…
Am a epileptic ex-junkie word wranglin’
music manglin’ monad…
presentin’ these pictorial pustules…a pair of perfidious polyps
funnelled through the cold slops of
a broken soul
bolstered + procured by profound
isolation I place my gifts upon yr altar
all my futile generosities, straight from the
id, tremblin’ n naked on the barren shores of a post-addictive alienated consciousness…
image 1: the symptom pool
“the Terrible Mother, the vagina dentata, the Fury, Lilith, Justine the Hag, Babylon the castrating harlot, The Venusian conspiracy…”
image 2: the girl who lived on heaven hill
“the Great Mother, the nurturing anima, The Madonna, The daughters of the heart, Christabel, Juliette, The Yin, La Femme…”
d+sea the otherorganism awaits…
I walk on mirrored angles
broken light insists
I must cross these frozen borders
and upon strange circuits
they melt but persist…
The Arches Project is a place that offers a platform for creative talents of all disciplines, to gain experience and exposure to become employable within their industry, by showcasing the work in an exciting and unique space within the Birmingham art scene.
We are currently seeking work for an exhibition called ‘Reflected Realities’, which aims to explore the differences between what people think and see.
We are looking for works that are sculpture, installation, collage, mixed media, 3D and 2D work.
The deadline for submission is 21st April 2017 and the exhibition will run from 9th June 2017.
We would really like to involve artists who have experience with mental health and can therefore offer a unique perspective of their own reflected reality in a creative way.
To apply, see poster, below.
What: Open day, creative venue supporting young people with experience of mental distress.
When: Saturday 14 January, 12-4pm
Where: The Horsfall, 87-91 Great Ancoats Street, Manchester, M4 5AG
What: Visual art exhibition, group show
When: Until Thursday 19 January 2017, Monday to Friday 9.00am to 5.00pm
Where: The Conference Centre, St Pancras Hospital, 4 St Pancras Way, London, NW1 0PE
Ten artists explore ‘beauty’ in a group show curated by Peter Herbert and The Arts Project.
“A stunning new art exhibition on the theme of Beauty and the Beast. Service users are among the ten artists whose work will be displayed in The Shapes and Lines of Beauty, including striking images by a former soldier who received treatment at the Trust for post-traumatic stress disorder.
Shaun Cole’s work evokes the colours of the Middle East, where he served as a soldier and he credits his works’ striking use of repetitive dots, reminiscent of aboriginal art, with helping him to “bring order” to his experience of PTSD (Post-traumatic stress disorder).
The aim of this latest exhibition in St Pancras Hospital is to encourage people to consider the nature of so-called ‘beauty’ and to question pleasing appearances.
Arts Project curator, Peter Herbert, who will be displaying two of his own pieces of work, said: “This is an exhibition bursting with warmth, vigour and imagination. Ten artists have produced work celebrating ideas of beauty and covering a broad spectrum. This is a fascinating concept and one that is well worth exploring further”.
Introducing the Artists…
SYBIL ADELAJA expresses the face and body as conduits to the inner soul though obsessive line drawing scribbles, which convey real power and forceful imagination.
CHRIS BIRD’s images which use rapidograph pens to create black lines on white with red colours have been published in THE BIG ISSUE and exhibited over the years. The result is a growing body of work responding to the beautiful and confusing energy of life in the big city. Within complex patterns the artist is drawn to faces in the crowd through which he emphasises marginalised people who inhabit the daily life of our city.
EDWARD BLAKE produces work inspired by a background studying architecture. These composite creations revel in layers of frames within frames, stained glass inserts decorated with flowers, foliage and texts of a personal nature.
RUBY BRADLEY is a self taught artist who contrasts traditional and delicate still life paintings of vases/bowls of flowers with new work, which develop into more abstract impressions of line and colour.
SHAUN COLE is a former soldier who was one of the war artists featured in our earlier ‘THE WAY AHEAD’ exhibition. Here, the artist returns with a wider range of work that evokes the colours of the Middle East, where he served as a soldier. His striking use of repetitive dots, recalls aboriginal art. This is artwork that helps to bring order to the artist’s experience of Post Traumatic Stress Disorder. He is currently studying for a Fine Arts degree at Ipswich University in Sussex.
MANEL GUELL is a painter who evokes the spiritual genesis of an often troubled Spanish social and artistic history. His delicate work using lines and shapes is rich with references to the surreal abstractions of Spanish artists including Goya and Luis Bunuel.
RICHARD KABY had open heart surgery after suffering a heart attack in 2014. His change in lifestyle while recovering resulted in a new awareness of the minutiae of everyday life and he was challenged to take one photo a day pasted onto Face Book in a project i flower. Using a phone camera as his eye ,the photographer discovers the nature of beauty in flowers, both as they blossom and die, depicting the fragility inherent within the cycle of our lives. Using extreme close-ups, these are photographs by an artist with an eye for the beauty around us, which most of us barely ever see.
KATHY KEEFE creates hats and head wear inspired by a love of millinery artistes of earlier decades including Treacy, Dache and Schiaparelli. For her display, the artist has created a boudoir, set against beautiful backdrops of delicately embroidered transparent lace.
ALBAN LOW has a growing collection of portraits, constructed in lines with splashes of colour to bring out the warmth and passion of musicians. These are drawn ‘live’ by the artist during his visits to the jazz cafes of London. For this exhibition, the artist is also presenting portraits of eight musicians who work with the innovatory programme Key Changes. They will perform a live set on the opening night, curated by manager Peter Leigh.
GEORGIA MATHEWS returns to the gallery for her 6th exhibition showcasing creative embellished jewellery. With this display she specialises in harmony between line, pattern and shape taking influence and inspiration from nature, colour and materials of the earth.
The exhibition includes two installations by PETER HERBERT. One is a fantasia of a carousel horse leaping through rainbow coloured hoops and a second installation involves a log lady made from the trunk of a cherry tree.
C&I communications team: 020 3317 7236
The Arts Project Gallery and Sales: Curator Manager Peter Herbert: 020 7916 8416
Operations Manager: Elaine Harper-Gay firstname.lastname@example.org
2016, despite its infamy as a problematic and troublesome year, brought us many positives and much pleasure in the form of large scale group exhibitions, our first ‘Spaghetti School’ residency at Free Space Gallery, and working with some of our favourite comrades on exciting new projects designed to spark debate and question closed answers.
We worked as part of the Roving Diagnostic Unit (see photo, right), for Bobby Baker’s Daily Life Ltd., which saw us carrying out performances and workshops at the William Morris Gallery, Vestry House Museum and the Wellcome collection, for the Diagnosing Diagnosis symposium to accompany their latest exhibition, ‘Bedlam’. The workshops were designed to make people think about diagnosis and what it means. Our workshop, A Diagnostic Portrait of…, had participants team up to draw large scale portraits of their patients (objects in situ at Vestry House) using only character descriptors.
Our own exhibition output last year was bumper – we had a large group show to kick things off at Menier Gallery, followed by two more exhibitions in London, co-curated with The Dragon Café and Uncooked Cultures, plus a co-curated exhibition with AIMS, at the Oxford Museum and Town Hall Gallery. Over 20o artists were promoted through these exhibitions, with many of them selling work and gaining further professional exhibitions through the exposure of our shows. To date, (since 2011), we have reached an audience of over 10,000 online, shown the work of over 200 artists to a physical audience of 1,000+, and worked closely with 10 artists to mentor and support their practice.
Workshops have covered printmaking, sculpture, collage, alternative ways of drawing, and a collaboration with artist and photographer, Catriona Gray, to deliver a series of photographic mixed media workshops at Free Space Gallery, Kentish Town. The photos below show collage work, the process of lumen exposure photography, and the final outcome of combining the lumen technique with printmaking. All workshops are free, supported by the ever excellent Kentish Town Improvement Fund and Free Space Gallery. Extra support in the form of volunteers comes from Clean Break.
2017 – onwards!
First up, January 23, we have a printmaking workshop at The Dragon Café for Broken Grey Wires. If you already know the Dragon Café, you’ll know that spaces are limited, and you must be registered with them to take part. The workshop starts at 3pm.
Next, we are over the moon to be working with the young people of Snowsfield Adolescent Unit at the South London and Maudsley Hospital. Work to start in February, and while it is only open to residents at SLaM, we will report back with our artistic endeavours.
Spaghetti School will be starting again in March, and continuing in 5 week blocks throughout the year. Keep your eye on the blog for news to come!
We’ve got loads of new artists to update you with, so make sure you are following the blog and all good social media outlets (you know the ones, Facebook, Twitter and Instagram) to keep up to date with who’s doing what.
Finally, Happy New Year, everyone!